Robbed of a childhood

Sudhirendar Sharma

Sudhirendar Sharma

From her debut in 1955, the child artist Daisy Irani acted in over 300 movies. A natural talent with no formal training, she was known for her quick uptake on delivering the perfect performance before the camera. She was most successful and well-known child artist through the 1950s and 1960s – some roles were even written and rewritten specially for her. Daisy was a child star with the short, curly locks, the impish smile and big expressive eyes, for whom the arc lights had become her playground. From Naya Daur (1956) to Kati Patang (1970), she could share screen space with veteran actors Dilip Kumar, Rajesh Khanna, Vjayantimala and Asha Parekh. 

Behind the big screen,

Behind the Big Screen narrates untold stories of child actors from behind the big screen and delves into the lives of the kids who once lit up the big screen. It explores the joys, struggles, and unique pressures of growing up under the spotlight, The book is as much a celebration as revelation about the young lives consumed under arc lights. Tabassum, Honey, Raju, Khusbhu, Manju, Naaz, Guddu were household names, who alongside many others evoke pleasant memories. Few of these innocent faces were nothing less than a brand.

But the dazzling world of cinema ravaged several childhoods, which to some was a ’never-ending black comedy’. Some felt blessed but many others betrayed. Says late Tabassum, the noted yesteryear child artist: ‘There is no such thing as a child actor. Because when you enter the industry as a child artist, the word child drops off from artist’ life.’ This industry, the Bollywood Industry, has production schedules with limited moral and ethical compulsions, irrespective of one’s age the grilling and grueling remains the same.  

Behind the Big Screen makes compelling reading. The stories swing between opportunity and cost – between glittering fame early in life and to the lifelong scars. Journalists Sunanda Mehta and Suchitra Iyer provide a well-researched narrative on the prevailing ills of the industry and guides what may be correct way to navigate a world basically built for adults. In the makeshift would of cinema, the truth is that the child is uprooted from his ecosystem of same age friends and suddenly pushed into adulthood. Once inside this makeshift world of fiction and imagination, childhood dreams invariably collide with harsh realities.

The book explores the world of child actors and the film industry in its entirety. It doesn’t just skim the surface but examines both the sparkle of cinema and the shadows it casts. It is unfortunate that child rights are not yet formally protected whereas cinema acknowledges animal rights upfront in its credit– ‘no animals were harmed during making of the film.’ With lack of regulations for child artists, it is at the whim of producer-director for making such rules.

The rules of cinema are not strict, have yet to be framed for strict application. As things stand, it is not a rule industry rather still a free for all. Safety on the sets, school attendance, shorter work hours are easy to ensure. Exploitation of kids is an important issue that has yet to be addressed. Child artists Daisy and Honey Irani have openly talked about being exploited, with no one to counsel them as family members are complicit in the crime. When a child becomes a star, the parent-child relationship changes as the child becomes a cash-cow.

There is a refreshing honesty in the way Behind the Big Screen tackles inter-personal and socio-cultural issues. Within the complexity of the issues, the book lightens moments of humor and mischief. The playful memories of on-set pranks, camaraderie among child actors, and the sheer joy of being part of iconic films are insightful reminders. It’s this mix of insight and charm that makes the book such a page-turner.

Behind the Big Screen

by Sunanda Mehta and Suchitra Iyer

Bloomsbury, New Delhi.

Extent: 284, Price: Rs. 599.

(Dr. Sudhirendar Sharma is a writer and researcher specialising in development issues. He is based in New Delhi, India.) 

First published in Deccan Herald